The February Open Call Closes on December 25.
Course 1: “Studio to Stage” with Daniel Rowland (February 5–10, 2026, For String Players)
Led by violinist Daniel Rowland, founder of the Stift International Music Festival and Professor at the Royal College of Music in London, this six-day recording course offers advanced string students the opportunity to engage in a professional recording project culminating in a public performance at the Skopje Philharmonic Hall on February 10.
The week will be fully dedicated to the recording process, including studio work, control room sessions, listening to recordings, and understanding the complete process of professional recording. The program will also feature lessons, evening chamber music sessions, and work in small ensembles.
The repertoire for the course will include The American Four Seasons by Philip Glass, Musica Dolorosa by Peteris Vasks, and Metamorphosen by Richard Strauss.
Course 2: “Finding the Groove” – Tim Redmond & Douglas Marriner (February 12–17, 2026, For Strings, Oboe, Jazz Musicians, and Percussion)
This hybrid orchestral–jazz project is led by conductor Tim Redmond (Guildhall School of Music and Drama; London Symphony Orchestra) and jazz drummer Douglas Marriner (New York–based performer and educator).
The course explores the intersection of jazz and classical traditions, bringing together string players and advanced jazz musicians to focus on rhythm, groove, improvisation, and ensemble collaboration. The repertoire ranges from jazz standards to disco-inspired works.
The second week emphasises improvisation, jazz techniques, and composition workshops, alongside discussions on the professional life and opportunities of jazz musicians. Participants will present their work in an open concert at a cultural centre in Skopje, followed by a final performance at the Skopje Philharmonic Hall on February 17.
Application Requirements
To successfully apply, please submit the following materials:
- CV / resume in English
- Two video recordings
The recordings should include:- One movement from a Classical or Romantic concerto
- One movement from a Suite or Sonata or an excerpt from a solo piece
- Video Introduction: Provide a short presentation video (no longer than 2-3 minutes) where you tell us: 1) Introduction (Name, Country, Age, Instrument) and description of your musical background, studies, and any relevant projects you have worked on. 2) What are your motivations for applying to the FAME’S Institute? What is your artistic and professional development goal for attending? 3) How do you see your role as a classical musician in today’s musical landscape? What are your future goals or projects? 4) Feel free to share anything else about your interest in this specific program / mentor you applied for.
